Wednesday, February 11, 2009
So, here are the two recipes involved:
Maple Syrup Pie
Pastry for a 1 crust pie
2 Tablespoon butter or margarine
1/4 teaspoon salt
1 teaspoon vanilla extract
1 cup maple syrup
1/2 cup or more hickory nuts, walnuts or pecans, halves or broken up
Cream the butter, add the syrup slowly, then stir in all of the remaining ingredients. Pour into the pie shell; additional nut halves can be put on top. Bake at 375 degrees (we have an Aga cooker so we put it on the bottom of the baking oven) 40 to 45 minutes or until a knife inserted near the center comes out clean.
It is essential to use 100% real maple syrup, not the fake corn syrup products that are flavored with the dregs of the commercial syrup makers’ boiling (Vermont Maid, Mrs. Butterworth, et al.)
Russian Black Bread
1 TBS vinegar
2 TBS oil (I use olive oil)
1 cup water
1 cup rye flour
1 1/2 cups unbleached white flour
1 tsp salt
2 TBS gluten
1 tsp brown sugar
1/2 cup oat bran or rolled oats
2 TBS caraway seeds
1 tsp instant coffee
1/2 small to medium yellow onion, chopped fine
1 1/2 TBS unsweetened cocoa
2 1/2 tsps yeast
Now, I never take any recipe at face value. There are already one or two small changes from the original in the above. I always add 1/4 cup coarse corn meal (adds a slight crunch to the crust) and 1/4 cup flax seed or flax meal for heart health.
Depending on the recipe, I also add sunflower seeds, chopped walnuts, chopped dried apricots (very good in whole wheat breads), or chopped crystalized candied ginger (adjusting the amount of other sugar in the recipe if I do).
I prefer baking with honey or maple syrup (again, REAL maple, not the flavored corn syrup kind) instead of refined sugar.
I use a bread machine; or bake as you would normally bake bread.
The deepening financial collapse is having a serious effect on performing arts organizations which are cutting back or simply closing up shop. New York Times music critic Anthony Tommasini wrote on the subject last week, beginning at the top of New York’s operatic establishment:
“Meanwhile Mr. Steele [newly hired general manager of New York City Opera] and Mr. Gelb [general manager of the Metropolitan Opera] must sit down with unions and reach agreements in these perilous economic times. They are not alone. The Los Angeles Opera has announced a 17 percent reduction in staff. The San Francisco Opera is cutting back on the ambition of its future programming. Eve Queler’s intrepid Opera Orchestra of New York has canceled the remainder of its current season.”
Opera companies in San Diego, Baltimore, Augusta GA, and the Berkshire Opera in western Massachusetts have all closed for good and I suspect there are others that have slipped away as well. The very important New York City Opera, founded by Mayor Fiorello la Guardia in the 1930s, is hanging by a thread.
Mired in debt, prevented from performing this season by renovations to its home theater in Lincoln Center, and abandoned by its high profile, internationally known and connected new general manager Gerard Mortier before he had even taken over the job, City Opera’s Board canceled all existing singers'contracts and dismissed virtually the entire administrative staff in a move that’s going to make starting up again extremely difficult. A new general manager has been almost literally been stolen from the Dallas Opera. He will need all the skill, imagination and strength he possesses to dig NYCO out of the manifold crisis it’s fallen into.
Theater companies are folding also. The renowned Theatre de la Jeune Lune in Minneapolis is perhaps the most high profile group so far. Other, smaller companies like Milwaukee Shakespeare and Santa Ana’s Rude Guerrilla Theater Company will be distinct losses to their communities.
Boston Theater Works went out of business last year just about the time of the first hints of the enormity of the internal financial crisis. Bankrupted by mounting a highly praised, award-winning production of Angels in America, BTW cancelled its next two scheduled productions and then closed. A good friend of mine who is involved in the local Actors Equity organization, has been working with companies that need to renegotiate down the number of equity actors in each production they do in order to reduce costs as much as possible. Boston has also lost The Snappy Dance Theater. Inevitably, there’s going to be a lot more of this nationwide.
Perhaps not surprisingly at this time of financial crisis in the performing arts, rabidly conservative Oklahoma Republican Senator Tom Coburn is introducing legislation that will block a single penny of any bail out money being used for any arts organization whatsoever—theater company, museum, symphony orchestra, dance troupe, opera company, you name it. The irony of the situation is that Coburn’s daughter Sarah is a well established operatic soprano almost certainly headed for a major career.
Compassionate Conservatism at work.
From the Art section of the Boston Globe:
While renowned artist Shepard Fairey was being feted around Boston in recent weeks, posing for pictures with Mayor Thomas M. Menino and preparing for his big opening night at the ICA, neighborhood groups around the city were seething.
In the days leading up to Friday night's opening, Boston Detective Bill Kelley said, he was getting more and more complaints from residents of the Back Bay, the North End, and Mission Hill, furious that a man who admitted to spreading graffiti - even bragged about it - was being treated like a celebrity instead of a criminal.
On Friday night, Kelley ended a stakeout by pulling Fairey's taxicab to the side of a Boston street and arresting him on an outstanding warrant on an old graffiti charge from 2000 as the artist was on his way to the Institute of Contemporary Art in South Boston.
The arrest and its timing, combined with Fairey's rise from counterculture icon to mainstream celebrity, have exposed anew some of Boston's oldest contradictions - between convention and revolution, between propriety and creativity, between the old order of places like the Back Bay and the new-moneyed donors to the ICA.
In its wake, it has left two unanswered questions: What is crime and what is art?
"At the end of the day . . . he was arrested like any other graffiti vandal," Kelley said in a telephone interview.
Fairey at 38 has become prominent for his "Hope" image of President Obama.
As if Mr. Fairey doesn't have enough on his plate, the Associated Press has declared the photograph that was the basis for the artist's famous image to be copyright protected, and they want a piece of the financial action. Fairey and his lawyers will fight this claim on the basis that taking images and reworking them into different pieces of art is an activity with a long history that is protected and exempt from legal penalty. AP will no doubt counter that Mr Fairey is making big bucks from this image while the photographer hasn't even been given credit, much less a share of the profits.
Scott of Bill in Exile put this poignant photo on his blog this morning along with this link to an Australian animal protection organization dedicated to saving koalas.
The little marsupials (who are NOT bears of any kind despite their being commonly referred to as koala bears) are especially vulnerable to the horrendous fires blazing across southern Australia. Their normal habitat is trees, the last place any creature should be with the fires leaping rapidly from tree to tree.
On the ground, koalas are slow and are suffering serious burns to their paws as they try to escape the flames. Like all of Australia's wild life caught in the inferno, they are suffering from dehydration. While they normally shy away from humans, the injured and desperate koalas are approaching firemen in hope of help--thus this picture that is becoming an icon internationally.
Scott asked, and I am more than happy to spread his message, that you visit the site and give something if you can to help the association in its work to rescue and treat as many koala as possible.
Sadder still to hear that people think the arts as something luxorious or incidental.
we too are feeling the pinch - we are not going to renew or LOC tickets after a decade of going. We can't do the price what with our household cut down to 50%.
As for the Fairley thing, it's kinda weird. Of course, if it's technically law-breaking (as opposed to someone stretching the facts, like the Mooninite "bomb" scare), then it's hard to argue against.
Interesting story on Fairey, hadn't known about all that, but haven't been keeping up with the news very well lately.
I'm certainly anxious to see what the fallout is from our 2K8 depression in my little niche of the design world. So far, none of our work in process has gone south, and new work has even come in in the last few weeks. The real test, I feel is where we'll all be in 2 or 3 years.